The Queen Is Dead

Product Information

Shankly” is petty as meta goes: At the time, nobody but a handful of music industry insiders could have known that it’s a mean-spirited swipe at Rough Trade’s Geoff Travis. The words the song's narrator has heard "said a hundred times (maybe less, maybe more)" are based on lines from Shakespeare's Richard III. The CD's are held in miniature replicas of vinyl records and housed in a fairly sturdy cardboard box.

The writing in “I Know It’s Over” is a tour de force, from the opening image of the empty—sexless, loveless—bed as a grave, through the suicidal inversions of “The sea wants to take me/The knife wants to slit me,” onto the self-lacerations of “If you’re so funny, then why are you on your own tonight? There Is a Light That Never Goes Out" features lyrics drawn from "Lonely Planet Boy" by the New York Dolls. Kept it, as it still plays and sounds fine, but you have to be aware, that this comes in a very rough inner sleeve and needs a good clean before you can listen to it properly.That said, Bill Inglot and Dan Hersch are justly famed for overly bright and hard sounding remasters done in the digital domain - which is exactly the case here. Signaled by its aptly regal name, The Queen Is Dead is when the Smiths crest into their own imperial moment.

But I think that you would be fine sticking with the 2-CD version of this if you are in the mood to upgrade your previous copy of "The Queen is Dead". The song "Vicar in a Tutu" was considered "throwaway" by Marr, who stated "It made a change from trying to change the fucking world. According to Marr: "The atmosphere of that track pretty much sums up the whole album and what it was like recording it. Another instance of Morrissey's fascination with 1960s British cinema, the film featured performances by Pat Phoenix (who had already appeared as a cover star on the 1985 single " Shakespeare's Sister") and Cicely Courtneidge as an elderly lesbian veteran of the music halls.To calculate the overall star rating and percentage breakdown by star, we don’t use a simple average. These etchings appear almost exclusively on the UK releases (denoted by the RT and RTT prefixes on the catalogue number).

The material on this site may not be reproduced, distributed, transmitted, cached or otherwise used, except with the prior written permission of Condé Nast. The first of these is reputed to have been addressed to Geoff Travis, head of the Smiths' record label Rough Trade, however Morrissey denies this. Tanto los singles como el álbum fueron grabados en "1985" entre las giras que tenía la banda tanto en "Inglaterra" como en "USA" pero por un problema con la disquera tuvieron que posponer el lanzamiento del mismo, por 7 meses. LP vinyl edition of the album, remastered by Doug Sax at The Mastering Lab from the original analogue tapes, including all the full length tracks (originally edited to fit on a single LP) in a gatefold sleeve designed by. Opening with the storming track, the album is harder rocking record than anything the band had attempted before.The inspiration here came from a 1982 incident in which a mentally unbalanced man snuck into the Queen’s bedroom and chatted with her.

En el primer CD encontramos una versión remasterizada de esta obra maestra del pop de todos los tiempos. Nostalgia folded within nostalgia, the sample—even if intended as bitterly ironic—shows Morrissey’s fatal attachment to the past. Nel DVD, in aggiunta al video "The Queen is Dead: a film by Derek Jarman", è presente il remaster in alta risoluzione: se avete l'impianto adatto, è una delizia per le orecchie. There is a hint of reveling in the martyr posture in “Bigmouth Strikes Again” too, what with its references to Joan of Arc going up in flames.

A demo of the music for " Some Girls Are Bigger Than Others" was posted by Marr through Morrissey's letterbox in the summer of 1985. I was pleasantly surprised that the audio quality other than of course, the dvd audio, was well done. Rhythm section Andy Rourke and Mike Joyce supply foundation and frolic, proving once again how indispensable they were to the group’s magic. The lyric to the song reflects Morrissey's feeling unsafe and, being from an immigrant family, not at home on the streets of Manchester.