Sleepyhead (Tom Thorne Novels)

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The general theme of Scaredy Cat is really the power of fear, and that fear is a very powerful weapon, and if you are prepared to instil it, you have a very powerful weapon that is every bit as dangerous as a gun or a knife. Also what happened to me in that hotel room fed directly into a sub-plot in Scaredy Cat with some very nasty crimes carried out in hotel rooms. [3] Television adaptations [ edit ] In 2002, he was "in the middle of writing a screenplay for an Andrew Lloyd Webber musical and about to write a screenplay for a cult children's show," a sci-fi drama for the BBC, but turned to writing novels. [3] [9] Novels [ edit ] Thorne must find a man whose agenda is terrifyingly unique, and Alison, the one person who holds the key to the killer’s identity, is unable to tell anybody. . . Scaredy Cat (Little, Brown & Company, July 2002), ISBN 0-316-85954-0; Time Warner UK, November 2002, ISBN 0-356-23206-9; William Morrow US, June 2003, ISBN 0-06-621300-2

Maid Marian and her Merry Men Series 3 (Tony Robinson, Mark Billingham and David Lloyd on 'creative writing'). David Bell. UK: Eureka. 2006 [1993]. EKA40224. {{ cite AV media notes}}: CS1 maint: others in cite AV media (notes) ( link) Billingham's detective character Inspector Tom Thorne first appeared in his 2001 debut novel Sleepyhead. The character has since appeared in the majority of his works, except In the Dark, Rush of Blood, and Die of Shame (May 2016), in which Thorne has minor roles. Billingham claims to have imbued Thorne with many of his own characteristics, such as a birthday, a locale (London), and a "love of country music both alt and cheesy". [3] [11] An assured chiller. Disturbing and thrilling… with memorable characters and bundles of atmosphere. Britain now has its own forensic crime maestro. You] worry that you will be entering that world of the strange cliche-ed cop, but you soon realise that you have to get comfortable in that world. You think "Hang on, some of the clichés are part of that territory". It would like writing a Western and going "Oh no I've given him a horse! What a terrible cliché!" It's not a cliché – It's part and parcel of the genre – cowboys have six-guns, horses and stetsons and detectives have [a] past... problems [and] flaws, because if they don't, then there is nothing to read about. [3] From an early age, Billingham wrote often "funny" stories for popularity and enjoyment. As his interests moved towards crime fiction, he set an early novel (the unpublished The Mechanic) in his native Birmingham. Inspired by the comic-crime work of Carl Hiaasen and other authors, he attempted to use his experience as a stand-up comedian and crime fan to write a similarly comic novel. [2] Ultimately he abandoned the unfinished novel and the comic-crime genre to focus on another book that would become Sleepyhead.After graduating with a degree in drama from the Department of Drama and Theatre Arts, he helped form a socialist theatre company, Bread & Circuses, in Birmingham. Bread & Circuses toured with shows in schools, colleges, arts centres and the street. [3] In the mid-1980s he moved to London as a "jobbing actor", taking minor roles in episodes of TV shows Dempsey and Makepeace, Juliet Bravo, Boon, and The Bill. [2] [4] After playing a variety of "bad guy roles such as a soccer hooligan, drug addict, a nasty copper, a racist copper or a bent copper", he claimed that he had become disenchanted with acting and that the emphasis was not on talent, but on looks. [3]

Learning the unpleasant differences between crime fact and crime fiction...". Article by Billingham for The Sunday Times. Accessed 10 February 2008. Lifeless (Little, Brown & Company, May 2005), ISBN 0-316-72752-0; Scorpion Press, June 2005, ISBN 1-873567-70-7; William Morrow US, September 2006, ISBN 0-06-084166-4 His standalone novel In The Dark was adapted as a miniseries of the same name by the BBC in 2017. An adaptation of another standalone novel, Rush of Blood, is being developed for US television. [15] Awards and nominations [ edit ] TV [ edit ]In Maid Marian and her Merry Men, Billingham played Gary, a dim-but-lovable guard in the employ of the Sheriff of Nottingham ( Tony Robinson), as part of a double-act with Graeme ( David Lloyd). Thorne knew that in this respect, it wasn't unlike any other major city - New York or Paris or Sydney - but he felt instinctively that London was .... at the extreme. The darker side of that history, as opposed to the parks, palaces and pearly kings' side that made busloads of Japanese and American tourists gawk and jabber. The hidden history of a city where the lonely, the dispossessed, the homeless, wandered the streets, brushing shoulders with the shadows of those that had come before them. A city in which the poor and the plague-ridden, those long-since hanged for stealing a loaf or murdered for a shilling, jostled for position with those seeking a meal, or a score, or a bed for the night. Buried (Little, Brown & Company, May 2006), ISBN 0-316-73050-5; Orbit, May 2006, ISBN 0-356-24410-5; ( HarperCollins, August 2007), ISBN 0-06-125569-6

Good as Dead (Little, Brown & Company, August 2011), ISBN 978-1-84744-419-6. Retitled US The Demands (Mulholland Books, June 2012), ISBN 978-0-316-12663-2 Billingham was shortlisted for the 2015 Dagger in the Library UK Crime Writers' Association award for an author's body of work in British libraries. He was shortlisted again in 2019 and won the award in 2022. [19] The Other Half [ edit ] A compelling, brilliantly written thriller by a name to watch. It’s been a long time since London noir was this good.

Don’t make any plans for the weekend when you buy it – because you won’t be leaving the house until its finished Billingham became the first crime writer to win the Theakston's Old Peculier Crime Novel of the Year Award twice when his novel Death Message won in 2009, [10] against Reginald Hill, Val McDermid, Ian Rankin and Lee Child. With Sleepyhead, Billingham leaps to the upper echelons of British crime fiction in a single bound. Dancing Towards The Blade" in Men From Boys by John Harvey (ed.) ( Arrow Books, September 2004), ISBN 0-09-946152-8