Nightwork

Product Information

My book, The End of Nightwork, is about that most pointless and painful of things: the passage of time. In the book, the protagonist – Pol – is haunted by the influence of a 17th-century millenarian, called Bartholomew Playfere. Like all prophets, Playfere refuses to be part of his own time. Instead he becomes part of a future, a future that Pol coincidentally participates in. The characters are not developed at all. We also have insta-love which I don't recall Roberts doing for ages in her stand-alones.

For me, the sign of an awesome author is one who changes the tide of the story with such subtlety that you do not even realize it is happening. A book begging to be read on the beach, with the sun warming the sand and salt in the air: pure escapism. Harry is also just kind of blah. I also wasn't in the mood to root for a thief. I feel like a little bit this was a little of her trying to do another "Roarke" type character for her readers. We all know that Roarke started off stealing as a kid and of course got involved with criminal gangs in Ireland and then New York. Most of the dialogue and circumstances about him I think were supposed to read as thief with heart of gold, but I just kept rolling my eyes. Also Harry does have "relations" with other women in this book so when you get to the whole "heroine" in this one you wonder why it even matters. I will add that I think that most of the books where Nora just follows a "hero" it does not work as well for me, see my review of "Shelter in Place." Nightwork" follows Harry Booth who at age 9 starts stealing to support his mother who is undergoing chemotherapy treatments. When his mother eventually dies, Harry still keeps stealing and breaking into homes hence the title of this book. Harry eventually meets a woman called Miranda and starts to think about a different future, but is threatened by someone who wants to use his skills. pissed-off points for the romance, which took the lazy way out by being a 'love at first sight' - because that somehow explains how easy all of it seemed. Even for the parts when it wasn't easy - for example, when Miranda struggles to reorient her own principles to accomodate how strongly she feels for Harry - there's barely any justification. Easy answer: she's in love, so she accepts everything.New York Times bestselling author Nora Roberts introduces an unforgettable thief in an unputdownable new novel… href: https://img1.od-cdn.com/ImageType-400/2390-1/{55C01898-08CA-406D-97CA-976E1C054A7A}IMG400.JPG href: https://img1.od-cdn.com/ImageType-200/2390-1/{55C01898-08CA-406D-97CA-976E1C054A7A}IMG200.JPG Oh, the journey this book and I went on. I loved Booth/Harry! His moral code reminded me of early Dexter... but with less death ;) Like I said, I liked Booth. I loved going along with him on his adventures. And I felt some anxiety that he would be discovered. NR made him nicely clever and resourceful.

url: https://samples.overdrive.com/?crid=55c01898-08ca-406d-97ca-976e1c054a7a&.epub-sample.overdrive.com This was incredibly slow paced, I just couldn’t get into it. I didn't feel connected or invested in Booth so his experiences and travels were boring to me. I love morally grey characters but I’d simply describe Booth as a nice guy and a good person. FYI, I almost DNFed this thing four times. It was painful to get through. The flow was so bad. I did start to skim towards the halfway point because I found myself not caring a whit about what was going on. Wow, what a great character! At the age of nine, Harry Booth's mother has cancer. She owns a cleaning service with her sister, Mags. When she was too ill to work, Harry goes with his aunt, but it wasn't enough for her medical bills, he was worried about foreclosure. Without her knowing, Harry starts going into homes and taking small things. He never takes more than what he needs and he never "breaks" into a home. From the get-go, Harry has a code of conduct. I wasn’t expecting to like this book as much as I did — NR’s last few have been a disappointment for me, and the last stand-alone book of hers I truly enjoyed and have reread numerous times was 2012’s ‘The Witness.’href: https://api.overdrive.com/v1/collections/L1BLQAAAA2a/products/55c01898-08ca-406d-97ca-976e1c054a7a/metadata The second is that NOTHING GOES WRONG, not even a single major hiccup. Everything came together TOO seamlessly. I felt in suspense, but then nothing even happened. LaPorte was easy to hate, but in later portions of the book, he was less dimensional as a character, as where his henchmen. What really didn’t work for me was how events were glossed over and we would skip forward in time so when I feel like I’d start to immerse we'd jump somewhere else. I feel I’m being told, not shown most of the time.

Thanks to his love of acting and theatre, Booth is by now expert at switching identities, and escapes the country to avoid LaPorte’s further demands: he will not be owned. But he doubts this man will ever tire of his pursuit, and begins to long for a more settled existence: a job as an English/drama teacher in a mid-size town would fit the bill. And does, until someone who knows him arrives… The bad guy LaPorte was an absolute idiot. NR can and has built extremely twisted villains, but sometimes, like The Witness with Russian mafia, these villains seem straight out of PatheticVille. If I have to hear about how scary and mean and cold a person is, I need to see my main character overcome problems and challenges on the way to best the bad guy. But there is absolutely none of that, which is ridiculous. What an exceptional read!! Nightwork by Nora Roberts is a standalone novel with an excellent range of characters – just as Ms Roberts always writes. Mags was wonderful, and the love she had for her nephew stood out. The people we meet on the way through Harry’s journey play a great part, some good, some not so good – just as they’re meant to be. I thoroughly enjoyed this stunning romantic suspense novel – such a pleasurable read - and have no hesitation in recommending it highly. Mantel does something brilliant in this book: identifying the analogy between the prophetic experience – living outside time – and the experience of trauma. Alison Hart – a medium and survivor of childhood abuse – lives between worlds, between the past and the present, between the living and the dead, between the astral plane and Aldershot.href: https://img1.od-cdn.com/ImageType-150/2390-1/{55C01898-08CA-406D-97CA-976E1C054A7A}IMG150.JPG