All Things Must Pass (50th Anniversary - Deluxe)

Product Information

Elliot J. Huntley, Mystical One: George Harrison – After the Break-up of the Beatles, Guernica Editions (Toronto, ON, 2006; ISBN 1-55071-197-0). Will Hodgkinson, "Home Entertainment: Phil Collins", The Guardian, 14 November 2002 (retrieved 5 November 2020).

Apple included a poster with the album, showing Harrison in a darkened corridor of his home, standing in front of an iron-framed window. [238] Wilkes had designed a more adventurous poster, but according to Beatles author Bruce Spizer, Harrison was uncomfortable with the imagery. [239] [nb 21] Some of the Feinstein photographs that Wilkes had incorporated into this original poster design appeared instead on the picture sleeves for the "My Sweet Lord" single and its follow-up, "What Is Life". [91] Release [ edit ] Impact [ edit ] Grammy Awards: The full list of nominees and winners", npr.org, 3 April 2022 (retrieved 5 April 2022). Chip Madinger & Mark Easter, Eight Arms to Hold You: The Solo Beatles Compendium, 44.1 Productions (Chesterfield, MO, 2000; ISBN 0-615-11724-4). The 500 Greatest Albums of All Time: 368. George Harrison, 'All Things Must Pass'", rollingstone.com, 22 September 2020 (retrieved 30 October 2020). Joe Bosso, "Alan White from Yes: What the Beatles Mean to Me", MusicRadar, 11 September 2009 (retrieved 11 November 2020).

Chris Ingham, The Rough Guide to the Beatles, Rough Guides/Penguin (London, 2006; 2nd edn; ISBN 978-1-84836-525-4). a b "George Harrison 40th Anniv 'All Things Must Pass' 3 LP Collection", Glide Magazine, 4 November 2010 (retrieved 7 December 2015). Tom Moon, 1,000 Recordings to Hear Before You Die, Workman Publishing (New York, NY, 2008; ISBN 978-0-7611-5385-6). Barry Miles, The Beatles Diary Volume 1: The Beatles Years, Omnibus Press (London, 2001; ISBN 0-7119-8308-9).

All Things Must Pass has only grown in influence and stature in the half-century since its initial release, including induction in the GRAMMY® Hall of Fame and inclusion on The Times of London’s “The 100 Best Albums of All Time” and Rolling Stone’s 2020 listing of “The Top 500 Albums of All Time.” Pitchfork declared it to have “changed the terms of what an album could be.” Some copies of poster may have "MG [Modern Graphics emblem] Litho in Canada" printed small in the lower left corner.

Contributors

Simon Leng, While My Guitar Gently Weeps: The Music of George Harrison, Hal Leonard (Milwaukee, WI, 2006; ISBN 1-4234-0609-5). Immediately after Wings' success, Harrison again held both number 1 positions, with his " Give Me Love" single and its parent album, Living in the Material World. [264] [265] Throughout, even though it’s his first solo album, Harrison is generous with the spotlight: Clapton solos more than Harrison does on the album (even on its opening notes), there’s no question which songs Starr plays on, and keyboardists and bassists and horn players — even the tambourine player, usually Badfinger’s Mike Gibbons — all get moments in the sun. The album was critically acclaimed and, with long stays at number 1 in both the US and the UK, commercially successful. It was certified 6x platinum by the Recording Industry Association of America in 2001. Following Harrison's death on 29 November 2001, All Things Must Pass returned to the US charts, climbing to number 6 and number 7, respectively, on the Top Pop Catalog and Internet Album Sales charts. [340] With the release on iTunes of much of the Harrison catalogue, in October 2007, [341] the album re-entered the US Top Pop Catalog chart, peaking at number 3. [342] 2010 [ edit ]

Richard Williams, Phil Spector: Out of His Head, Omnibus Press (London, 2003; ISBN 978-0-7119-9864-3).

Reviews

Ian Inglis, The Words and Music of George Harrison, Praeger (Santa Barbara, CA, 2010; ISBN 978-0-313-37532-3). Peter Lavezzoli, The Dawn of Indian Music in the West, Continuum (New York, NY, 2006; ISBN 0-8264-2819-3). The recording then ends with an instrumental close. On the inner sleeve printed lyrics, however, the "Pope" lyrics are omitted, and the lines are misquoted thus: Mark Cunningham, Good Vibrations: A History of Record Production, Sanctuary (London, 1998; ISBN 978-1860742422). Chris Hunt (ed.), NME Originals: Beatles – The Solo Years 1970–1980, IPC Ignite! (London, 2005), p. 22.