Metamorphosis

Product Information

Austriancharts.at – The Rolling Stones – Metamorphosis" (in German). Hung Medien. Retrieved 31 May 2023. Recorded on 23 April 1969 as a Let It Bleed outtake under the original title "Lisle Street Lucie". It features Ry Cooder on open G tuned guitar. Song written by Bill Wyman.

Kent, David (1993). Australian Chart Book 1970–1992 (illustrateded.). St Ives, N.S.W.: Australian Chart Book. ISBN 0-646-11917-6. a b "Jon Tiven's American Beat..." Musicrepublicmagazine.com. 20 February 2018 . Retrieved 19 May 2021. Jagger was furious and even went so far as to taking out adverts telling fans not to buy these records. 'metamorphosis' is one of the most cynical, an album with one side taken up with demos jagger/richards punted to other artists (most of them pretty awful) and the other side taken up with outtakes from the groups later 60s records.Godzi" and "Panama Powder Room" were instrumentals from the Between the Buttons sessions and have never been released. They were recorded at RCA Studios, Hollywood on August 4-12, 1966.

Christgau, Robert (16 June 1975). "Christgau's Consumer Guide". The Village Voice. New York . Retrieved 27 May 2013. Browne, David (20 September 2002). "Satisfaction?". Entertainment Weekly . Retrieved 30 November 2018.

Contributors

Selected items are only available for delivery via the Royal Mail 48® service and other items are available for delivery using this service for a charge. Hodgepodge collection (including some real gems) of outtakes/other versions/demos assembled by Allen Klein & unearthed for the first time covering a 5-year time span w/ no real unifying sound. An okay release that has its good moments but probably only of interest to hardcore Stones fan or completists who have most of the Stones' 60s output. The material on the second side eclipses that on the first. “I Don’t Know Why,” from the Let It Bleed era, meanders aimlessly. (As a further instance of the album’s sloppiness, the song is mistakenly credited to the Stones but was in fact written by Stevie Wonder and two others.) “If You Let Me” sounds like Between the Buttons and is stylistically related to all of Buttons’ tragicomic intensity. “Jiving Sister Fanny” is again little more than a riff and a couple of words that go nowhere, proving that even the Rolling Stones can be mediocre when they’re off or think nobody’s looking.